‘F*ck Face’ 2025 Large Pink Female Genital Vagina Contemporary Penis Nude Glass Clay Erotic Phallus Phallic Erotic Rhinestone Sculpture LGBT Fine Art Queer Gay Art By Max Hammond Studio

MaxHammondStudio

A celebration of excess, desire and queer spectacle.

These glass rhinestone sculptures transform familiar forms into objects of seduction, humour and contradiction. Their kitsch surfaces and unapologetic glamour draw on the visual language of camp—where the excessive, the artificial and the seemingly vulgar become a means of expression.

The rhinestone becomes both material and metaphor: decorative, fragile, obsessive and deliberately conspicuous. Each surface demands attention, turning the object into something to be looked at, desired and questioned.

Rooted in queer visual culture, the works embrace the tension between masculinity and decoration, intimacy and spectacle, sincerity and irony. What might appear playful or absurd becomes a vehicle for examining how queer bodies, desires and identities are made visible.

MaxHammondStudio presents “F*ck Face” (2025) – a contemporary sculpture and photographic work exploring the intersection of form, sexuality, and creation.

Created in 2025, this piece continues the artist’s investigation into the body as both subject and symbol, expanding beyond singular forms to consider the relationship between male and female genitalia. The work reflects on how these parts—often separated, categorised, and culturally loaded—come together to create new life.

Positioned within a layered visual field, the sculpture is partially obscured by reflections and digital interference from a laptop screen. Fragments of code, distorted text, and shifting light overlay the form, disrupting clarity and introducing a contemporary context. This interference becomes significant. It suggests how intimacy, identity, and even reproduction are now mediated through technology—filtered, fragmented, and reinterpreted.

At its core, the work examines the merging of forms. The suggestion of female genitalia alongside the phallic structure creates a hybrid reading—neither fixed nor singular. It speaks to union, to dependency, and to the biological and emotional processes that underpin creation. Yet, rather than presenting this as purely natural or romantic, the piece introduces friction. The title “F*ck Face” is intentionally confrontational, stripping back euphemism and forcing a direct engagement with language, perception, and discomfort.

The reflective surface of the screen creates a doubling effect—what is seen is never entirely stable. The viewer is implicated within the work, caught between the physical object and its digital reflection. This layering reinforces the idea that bodies and identities are not static, but constantly shaped by external influences, environments, and systems of viewing.

The sculpture itself retains the artist’s signature tactile quality, yet here it is framed differently—less as an isolated object and more as part of an environment. The intrusion of technology introduces a new dimension, positioning the body within a contemporary landscape where physical and virtual realities overlap.

As with all works from MaxHammondStudio, the piece is rooted in personal narrative while engaging with broader cultural questions. It challenges how we understand the body—not just as an object of desire, but as a site of creation, connection, and complexity.

Each work is unique and developed through an intuitive process, reflecting an evolving practice that continues to question form, meaning, and perception.

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Details

• Original, one-of-a-kind artwork

• Hand-sculpted form

• Photographic documentation with digital interference

• Exploration of male and female genitalia as unified form

• Contemporary, conceptual, biomorphic composition

• Signed and authenticated

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A work that confronts and complicates—layering intimacy, creation, and disruption.

A striking piece that challenges how bodies connect, how life begins, and how meaning is shaped through both physical and digital space.